I’m sure that many of you use your smartphone as your primary camera. Even those that own a DSLR, like myself, can’t argue with the convenience of having a good shooter in their pocket. Truth be told, flagship smartphone camera quality is more than good enough for capturing most day-to-day moments. Even better news, manufacturers show no signs of slowing down the improvements. In addition to the dual camera trend, the latest generation of smartphones are also pushing the envelope in terms of wider camera apertures too.
The LG V30 was the first smartphone to boast a f/1.6 aperture, going one better than the f/1.7 aperture found in the Samsung Galaxy S8, the f/1.8 of the iPhone 7 Plus, and f/2.0 aperture of the Google Pixel XL. All of which take excellent looking pictures. The upcoming Huawei Mate 10 is expected to boast the same f/1.6 aperture, and may see more handsets rear this market too next year.
While numbers are nice for spec sheets, does this aperture number really make pictures look any better? What is aperture exactly? That’s exactly what we aim to answer.
It’s all about light capture
Broadly speaking, photography is all about getting just the right amount of light exposure, and a pretty good rule of thumb for judging camera quality is to figure out how good is it at capturing light. A top notch sensor paired with a flawless lens is the sought after DSLR combination, and the same applies to smartphones, albeit with some limitations.
The small smartphone form factor means that lenses and sensors are smaller, therefore less light reaches them, which has an impact on final image quality. We’ve seen smartphone manufactures make use of larger 1.2µm to 1.55 µm sensor pixel sizes recently to combat this, with excellent results, and the other half of the light capture equation is how much light makes it through the lens to reach these pixels. This is where aperture comes in.
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Apertures & f-stops
Okay, so what is aperture? Aperture is defined by the size of the opening with which light can enter the camera. Aperture is measured in f-stops, which is a ratio of the focal length divided by the opening size. So the smaller the f-stop the wider the opening and therefore more light can reach the sensor, resulting in better low light pictures and less noise. As you narrow the aperture by a full “stop” —or power of the square root of 2 (ƒ/2 to ƒ/2.8, ƒ/4 to ƒ/5.8 etc)— you’ll be halving the light gathering area.
The smaller the f-stop the wider the opening and therefore more light can reach the sensor. This means better low light performance and faster shutter speeds.
This also has the advantage of reducing the shutter speed time required for a set amount of light capture, which reduces blurring in action shots or from shaky hands, making its use with OIS even more powerful. So if you’re looking to capture that perfect still frame, a wider aperture will help you achieve that.
Smartphone cameras are positioned very close to the lens, much closer than in DSLR cameras. A camera’s focal point in the distance between where the light convergences in the lens to the sensor, to smartphone cameras have shorter focal lengths than a DSLR. As we know that the aperture equation is focal length divided by the opening size, this helps to explain why phone cameras have a wider aperture than most DSLR lenses, even though they aren’t necessarily better at light capture.
Speaking of camera lenses, photography enthusiasts will often associate wider apertures with a shallower depth of field, allowing for a nice soft bokeh. However, with smartphones we’re stuck with a fixed aperture, a smaller image sensor positioned close up to the lens, and a reasonable wide field of view, so a phone camera’s depth of field is never going to be that shallow.
Smartphone sensors are positioned much closer to the lens than in a DSLR, hence why today's smartphones have a wider aperture ratio even though the opening is smaller.
A f/2.2 smartphone camera actually only provides a depth of field equivalent to a f/13 or f/14 aperture on a full frame camera, which only produces a small amount of blur. Modern phones with enhanced bokeh effects actually rely on software for a more dramatic look.
While a wide aperture is no guarantee of camera quality, a smaller f-stop value allows more light to the sensor, which reduces shutter speed times to cut down on blur, and reduces sensor noise. This value should always be considered in conjunction with pixel size, as larger pixels won’t necessarily require as wide an aperture to capture enough light. However, small pixels and a small aperture is a sure sign that low light performance will be an issue.
An equally important but often neglected component in all smartphone camera stacks is the lens, and just like everything else these vary considerably in quality too. Afterall, a dirty lens takes poor pictures, and so it follows that lens glass with poor clarity or transparency will reduce the amount of light reaching the sensor and therefore reduce image quality.
Smartphones using very wide apertures, such as the new V30, require extra special attention to lens design, to avoid aberration distortion and lens-flare effects that have haunted some devices. Consider it like this, it’s tricker to focus light accurately when it’s coming through a wider hole, so even greater care has to be taken when manufacturing the lenses. Aberration distortion covers a range of issues that appear when a lens cannot perfectly focus a point of light. Phones with a wide aperture are by definition less focused on a specific part of the scene than one with a more closed-in aperture, and therefore more prone to problems.
Aberration distortion comes in a variety of effects. These include spherical aberration (reduced clarity and sharpness), coma (blurring or tailing), field curvature (loss of focus at edges), distortion (image convexing or concaving), and chromatic aberration (unfocused colors and split white light), among others. See some examples below (source).
Camera lenses, including smartphone ones, are built from multiple “correcting groups” designed to focus the light properly and reduce these aberrations. Cheaper lenses tend to feature fewer groups and are therefore more prone to issues. Lens materials also play an important part here, with higher quality glass and multiple coatings offering better correction and less distortion. Photographers sometimes refer to these as “fast” lenses.
Consider it like this, it’s tricker to focus light accurately that's coming through a wider hole, so even greater care has to be taken when manufacturing wide aperture lenses.
Lens quality is harder to judge from numbers or a spec sheet, and many phone manufacturers don’t mention it at all. Unfortunately this matter complicates talk about aperture and pixel sizes, as cheaping out on the lenses could render those development useless.
Fortunately some renowned optics companies are now involved in the smartphone market, notably Leica’s partnership with Huawei and Zeiss working with HMD Global (Nokia). LG also implemented a new 6 lens glass “Crystal Clear Lens” design with its V30 in order to handle the camera’s wider aperture.
To conclude, lens quality is just as important as the other factors we’ve discussed, if not moreso as a poor lens can undo good engineering done elsewhere. Unfortunately, it’s a tough factor to understand and almost impossible to appreciate without testing the camera out.
Putting it all together
Now you know the answer to ‘what is aperture’, so good on you. As you’ve probably figured out, aperture isn’t the be all and end all of a good smartphone camera setup. Just like most other areas of photography, it’s not a very useful number to go by when making a purchasing decision as it’s not an indicator of quality on its own. However it does offer up a number of advantages, including the possibility for better low light capture and faster shutter speeds.
For the creatives out there, a wider aperture doesn’t really offer much extra in terms of interesting shooting capabilities, besides the potential for better action shots. Lenses are fixed in smartphone and the small size of the sensors means that you’re never going to see much in the way of or have much control over artistic blur, except for very close up shots. These days most phone cameras that offer bokeh effects are doing so via software and/or in conjunction with data from a secondary camera. Wide angle and zoom cameras are more interesting options if you’re looking for unique shots.
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That being said, small smartphone sensors are particularly sensitive to low light, and a wider aperture, combined with an excellent lens and sensor, should theoretically help to reduce noise and produce better looking pictures. Ultimately though, the only way to be sure is to test drive the camera yourself.